Lindsey Drury, Pellicle and Portrait: A Historiography of Face, Race, and Interface in Media Theory (Thinking into the Cracks Between Lavater, Dagognet, & Galloway)

Suggested Citation:
Lindsey Drury, Pellicle and Portrait: A Historiography of Face, Race, and Interface in Media Theory (Thinking into the Cracks Between Lavater, Dagognet, & Galloway). Interface Critique 5 (2025): 198–233.

DOI: 10.11588/ic.2025.1.113538

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Creative Commons license (CC BY 4.0).

Lindsey Drury is an historian and theorist who works on critical/ digital research approaches to the colonial histories of dance, performance, and embodiment. She holds a PhD in early modern studies from Freie Universität Berlin and University of Kent- Canterbury and currently works as a Postdoc within Critical Dance Studies at the Freie Universität Berlin. She is the 2022 Honorable Mention for the Gertrude Lippincott award for best article in the field of dance studies, was awarded an Erasmus Mundus Fellowship (2015-2019) for her PhD research and a Graduate Research Fellowship at the University of Utah (2007-2008). Her forthcoming book analyses the radical materialist, mystical, and medical writings of Theophrastus von Hohenheim in the effort to resurface a history of the early modern cosmological thought on dance.