TITEL.
UNTERTITEL
Vorname Nachname
“Zitat.”
Suggested citation: Scherffig, Lasse (2018). “There is no Interface (without a User). A cybernetic Perspective on Interaction.” In: Interface Critique Journal Vol.1. Eds. Florian Hadler, Alice Soiné, Daniel Irrgang. DOI: 10.11588/ic.2018.0.44739
This article is released under a
Creative Commons license (CC BY 4.0).
Lasse Scherffig is the Art and Technology Department Chair at San Francisco Art Institute, where he teaches since 2015. He previously taught at Bauhaus University Weimar and Academy of Media Arts Cologne. His work has been published and exhibited internationally.
Selected Publications:
Scherffig, Lasse. “Feedbackmaschinen. Kybernetik und Interaktion.” PhD thesis, KHM Köln, 2017.
Scherffig, Lasse. "Moving into View: Enacting Virtual Reality.“ Mediatropes 6, no. 1 (2016): 1-29.
References
Beaudouin-Lafon, Michel. “Instrumental Interaction: An Interaction Model for Designing Post-WlMP User Interfaces.” In Proceedings of CHI, 446-453. ACM, 2000.
Bennett, Stuart. A History of Control Engineering 1930–1955. Hitchin: Peter Peregrinus Ltd., 1993.
Card, Stuart K., and Thomas P. Moran. “User Technology: From Pointing to Pondering.” In Proceedings of the ACM Conference on The History of Personal Workstations, 183-198. ACM, 1986.
Card, Stuart K., Thomas P. Moran, and Allen Newell. The Psychology of Human-Computer Interaction. Hillsdale, NJ/London: Lawrence Erlbaum Associates, 1983.
Carter, Olivia, Talia Konkle, Qi Wang, Vincent Hayward, and Christopher Moore. “Tactile Rivalry Demonstrated with an Ambiguous Apparent-Motion Quartet.” Current Biology 18 (2008): 1050–1054.
Chapman, Robert L., John L. Kennedy, Allen Newell, and William C. Biel. “The Systems Research Laboratory’s Air Defense Experiments.” Management Science 5, no. 3 (1959): 250-269.
Dourish, Paul. Where the action is. The foundations of embodied interaction. Cambridge, MA: MIT Press, 2001.
Dunne, Anthony. Hertzian tales. Electronic products, aesthetic experience, and critical design. Cambridge, MA: MIT Press, 2008.
Eagleman, David M. “Visual illusions and neurobiology.” Nature Reviews Neuroscience 2 (2001): 920-926.
Everett, Robert. “Whirlwind.” In A History of Computing in the Twentieth Century, edited by J. Howlett, Gian Carlo Rota, and Nicholas Metropolis, 365-384. Orlando: Academic Press, 1980.
Fishkin, Kenneth P., Anuj Gujar, Beverly L. Harrison, Thomas P. Moran, and Roy Want. “Embodied user interfaces for really direct manipulation.” Communications of the ACM 43, no. 9 (2000): 74–80.
Footnotes
1 A German language discussion of similar questions, that is much broader in scope, can be found in Lasse Scherffig, „Feedbackmaschinen. Kybernetik und Interaktion“ (Dissertation, Kunsthochschule für Medien Köln, 2017).
2 Søren Bro Pold, “Interface Perception: The Cybernetic Mentality and Its Critics: Ubermorgen.com,” in Interface Criticism: Aesthetics Beyond Buttons, ed. Christian Ulrik Andersen and Søren Bro Pold (Aarhus: Aarhus University Press, 2011), 91.
TITEL.
UNTERTITEL
Vorname Nachname
Suggested citation: Scherffig, Lasse (2018). “There is no Interface (without a User). A cybernetic Perspective on Interaction.” In: Interface Critique Journal Vol.1. Eds. Florian Hadler, Alice Soiné, Daniel Irrgang. DOI: 10.11588/ic.2018.0.44739
This article is released under a
Creative Commons license (CC BY 4.0).
Lasse Scherffig is the Art and Technology Department Chair at San Francisco Art Institute, where he teaches since 2015. He previously taught at Bauhaus University Weimar and Academy of Media Arts Cologne. His work has been published and exhibited internationally.
Selected Publications:
Scherffig, Lasse. “Feedbackmaschinen. Kybernetik und Interaktion.” PhD thesis, KHM Köln, 2017.
Scherffig, Lasse. "Moving into View: Enacting Virtual Reality.“ Mediatropes 6, no. 1 (2016): 1-29.
“Zitat.”
References
Beaudouin-Lafon, Michel. “Instrumental Interaction: An Interaction Model for Designing Post-WlMP User Interfaces.” In Proceedings of CHI, 446-453. ACM, 2000.
Bennett, Stuart. A History of Control Engineering 1930–1955. Hitchin: Peter Peregrinus Ltd., 1993.
Card, Stuart K., and Thomas P. Moran. “User Technology: From Pointing to Pondering.” In Proceedings of the ACM Conference on The History of Personal Workstations, 183-198. ACM, 1986.
Card, Stuart K., Thomas P. Moran, and Allen Newell. The Psychology of Human-Computer Interaction. Hillsdale, NJ/London: Lawrence Erlbaum Associates, 1983.
Carter, Olivia, Talia Konkle, Qi Wang, Vincent Hayward, and Christopher Moore. “Tactile Rivalry Demonstrated with an Ambiguous Apparent-Motion Quartet.” Current Biology 18 (2008): 1050–1054.
Chapman, Robert L., John L. Kennedy, Allen Newell, and William C. Biel. “The Systems Research Laboratory’s Air Defense Experiments.” Management Science 5, no. 3 (1959): 250-269.
Dourish, Paul. Where the action is. The foundations of embodied interaction. Cambridge, MA: MIT Press, 2001.
Dunne, Anthony. Hertzian tales. Electronic products, aesthetic experience, and critical design. Cambridge, MA: MIT Press, 2008.
Eagleman, David M. “Visual illusions and neurobiology.” Nature Reviews Neuroscience 2 (2001): 920-926.
Everett, Robert. “Whirlwind.” In A History of Computing in the Twentieth Century, edited by J. Howlett, Gian Carlo Rota, and Nicholas Metropolis, 365-384. Orlando: Academic Press, 1980.
Fishkin, Kenneth P., Anuj Gujar, Beverly L. Harrison, Thomas P. Moran, and Roy Want. “Embodied user interfaces for really direct manipulation.” Communications of the ACM 43, no. 9 (2000): 74–80.
Footnotes
1 A German language discussion of similar questions, that is much broader in scope, can be found in Lasse Scherffig, „Feedbackmaschinen. Kybernetik und Interaktion“ (Dissertation, Kunsthochschule für Medien Köln, 2017).
2 Søren Bro Pold, “Interface Perception: The Cybernetic Mentality and Its Critics: Ubermorgen.com,” in Interface Criticism: Aesthetics Beyond Buttons, ed. Christian Ulrik Andersen and Søren Bro Pold (Aarhus: Aarhus University Press, 2011), 91.